Publications of Axel Mulder


Johnty Wang, Axel Mulder and Marcelo Wanderly (2019). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. Proceedings of the international conference on new interfaces for musical expression, Porto Alegre, Brazil, 2019, p. 25–30. Available on the web in pdf format.

Sidney S. Fels and Ashley Gadd and Axel Mulder (2003). Mapping Transparency through Metaphor: Towards More Expressive Musical Instruments. In: Organised Sound: an International Journal of Music and Technology, Volume 7, No. 2, pp 109-126. Available on the web as a pre-print in pdf format. See also: MetaMuse

Axel G.E. Mulder (2000). Towards a choice of gestural constraints for instrumental performers. In: Trends in Gestural Control of Music, Marcelo Wanderley and Marc Battier (eds.), Paris, France: IRCAM. Available on the web in postscript and pdf format.

Axel G.E. Mulder (1999). Sobre los limites de los gestos de los interpretes instrumentales. In: Musica y Technologia: Perspectivas para el Siglo XXI, Eduardo R. Miranda (ed.), pp. 84-102, Barcelona: L'Angelot. Available in scanned pdf format.

Axel G.E. Mulder, S. Sidney Fels and Kenji Mase (1999). Design of Virtual 3D Instruments for Musical Interaction. Proceedings Graphics Interface '99, (Kingston, ON, Canada, 2-4 June 1999, S. Mackenzie and J. Stewart (eds.)) pp. 76-83, Toronto, ON, Canada: University of Toronto. Available on the web in postscript and pdf format.

Axel G.E. Mulder (1998). Design of virtual three-dimensional instruments for sound control. PhD. thesis. Burnaby, BC, Canada: Simon Fraser University. Available on the web in postscript and pdf format.

Axel G.E. Mulder and S. Sidney Fels (1998). Sound Sculpting: Performing with Virtual Musical Instruments. Proceedings of the Fifth Brazilian Symposium on Computer Music (Belo Horizonte, Minas Gerais, Brazil, 3-5 August 1998, during the 18th Annual Congres of the Brazilian Computer Society, G. Ramalho (ed.)), pp. 151-164, Belo Horizonte, MG, Brazil: Universidade Federal de Minas Gerais. Available on the web in postscript and pdf format.

Axel G.E. Mulder and S. Sidney Fels (1998). Sound Sculpting: Manipulating Sound through Virtual Sculpting. Proceedings of the 1998 Western Computer Graphics Symposium, (Whistler, BC, Canada, 23-26 april 1998, Maria Lantin (ed.)), pp. 15-23, Burnaby, BC, Canada: Simon Fraser University. Available on the web in postscript and pdf format.

Axel G.E. Mulder, S. Sidney Fels and Kenji Mase (1997). Mapping virtual object manipulation to sound variation. IPSJ SIG notes Vol. 97, No. 122, 97-MUS-23 (USA/Japan intercollege computer music festival, Tokyo, Japan, 13-16 december 1997, Takayuki Rai, Rick Basset (eds.)), pp. 63-68. Available on the web in postscript and pdf format.

Axel G.E. Mulder, S. Sidney Fels and Kenji Mase (1997). Empty-handed Gesture Analysis in Max/FTS. Proceedings of the AIMI international workshop on Kansei - the technology of emotion (Genova, Italy, 3-4 october 1997), Antonio Camurri (ed.), pp 87-90, Genova, Italia: Universita di Genova.

Axel G.E. Mulder (1996). Getting a GRIP on alternate controllers: Addressing the variability of gestural expression in musical instrument design. Leonardo Music Journal Vol. 6, pp. 33-40. Available on request from the author.

Axel G.E. Mulder (1996). Handgestures for HCI. Technical Report, NSERC Hand Centered Studies of Human Movement project. Burnaby, BC, Canada: Simon Fraser University. Available on the web in pdf format.

Axel G.E. Mulder (1995). The I-Cube system: Moving towards sensor technology for artists. Proceedings of the 6th International Symposium on Electronic Art (September 21-24, Montreal, QC, Canada). Montreal, QC, Canada: ISEA.

Axel G.E. Mulder (1995). Gesture in a musical performance context. Workshop on gesture at the user interface, May 7-8, Denver, CO, USA, during the CHI '95 conference on human factors in computing systems. New York, NY, USA: ACM.

Axel G.E. Mulder (1994). Virtual Musical Instruments: Accessing the Sound Synthesis Universe as a Performer. Proceedings of the First Brazilian Symposium on Computer Music, Caxambu, Minas Gerais, Brazil, 2-4 August 1994, during the 14th Annual Congres of the Brazilian Computer Society, pp. 243-250, Belo Horizonte, MG, Brazil: Universidade Federal de Minas Gerais. Also available on the web in postscript and pdf format.

Axel G.E. Mulder (1994). Build a better powerglove. PCVR, 16, pp 10-14. Stoughton, WI, USA: PCVR Magazine. Also available on the web including software and schematics here.

Axel G.E. Mulder (1994). Human Movement Tracking Technology. Technical Report, NSERC Hand Centered Studies of Human Movement project. Burnaby, B.C., Canada: Simon Fraser University. Also available on the web in postscript and pdf format.

Axel G.E. Mulder (1994). Design of virtual instruments: motor control considerations for gestural interfaces. IRIS - PRECARN 4th annual conference, June 21-23, Toronto, ON, Canada.

Axel G.E. Mulder (1994). The sound of a waving hand. Virtual Musical Instruments. Northwest Cyberartist 2 (11), 1+3. Mukilteo, Washington, USA: Northwest Cyberartists.

Axel G.E. Mulder (1991). Viewing dance as instrumental to music. Interface 4 (2), 15-17. Columbus, Ohio, USA: ACCAD, Ohio state university.